Allen Lane, 2013
What's the craziest thing you've ever done?
The most visceral, alive you have felt? I've done the world's highest bungee jump, from a bridge above a gorge in South Africa. I've kayaked at sea amongst dolphins, dived with sharks, camped in the Sahara, ridden camels, ostriches. Maybe you've been held up at gunpoint, or maybe fast cars are what does it for you, or climbing mountains, or cave diving, or dancing on tables, or taking drugs.
The most visceral, alive you have felt? I've done the world's highest bungee jump, from a bridge above a gorge in South Africa. I've kayaked at sea amongst dolphins, dived with sharks, camped in the Sahara, ridden camels, ostriches. Maybe you've been held up at gunpoint, or maybe fast cars are what does it for you, or climbing mountains, or cave diving, or dancing on tables, or taking drugs.
For Monbiot it seems to be spear fishing, bare knuckle
fighting and yes, sea kayaking. He opens with a vivid account of time spent in
an exotic rainforest location, confronted with violent, dirty living, mingling
with natives in shamanic rituals and eating insect larvae. The premise of
Feral is that civilization has made us all go a bit boring. It's tamed
us, made us live dull, constrained humdrum lives, and we badly need to put some
excitement back - by getting back in touch with our primitive instincts,
reacquainting ourselves with the wonders of the natural world and, most of all,
by reintroducing lost fauna to our used-to-be-jewelled isle. 'The absence of
monsters forces us to sublimate and transliterate, to invent quests and
challenges, to seek an escape from ecological boredom.' (P.139)
I really couldn’t make my mind up about this book.
Everything about it appealed to me, but then once I got started it rankled.
Then it won me over, but then something felt wrong again. In the end I love it
all the more for having failed to be the unchallenging read I was expecting,
for having confronted all sorts of feelings I took for granted and left me
feeling less sure than I’d thought I was about it all. I definitely want to just say that I love it, but that would be far too simple.
I love its courage and its complexity, and I love the way it got me thinking.
But me and this book are unlikely to ever settle our differences.
For one thing, I think its a bit of a boys book. Monbiot portrays himself as a kind of Will
Smith in I am Legend, paddling
through storms at sea with his spear, shrugging off the elements in desolate,
post-apocalyptic landscapes. But the
trouble is all of the activities mentioned are a bit gap year, a bit Shipwrecked, even a bit, dare I say it, male
midlife crisis. None of them come close, in the craziness stakes, to the
fucked-up, mentalness of pushing a human out of your body. George has never pushed a human out of his
body, so he can't know this. But on a slightly more serious note, did life
really get boring? Is it a representative perception that what we really need
these days is for life to be a little bit harder, a little bit more
challenging, a little dirtier and more chaotic? Or is that merely the rather
parochial and, perhaps, even offensive view of a middle-aged middle-class white
man? Personally speaking I could happily do with my life being a bit more
predictable and sanitised sometimes.
On a more substantive note, I struggled to go along with
Monbiot’s conception of the good wildlife. I happen to wholeheartedly agree
with him that forests are exciting and megafauna would be fun to have around,
and that there is something depressing about the extent to which mankind are
obsessed with sanitising nature, controlling their gardens and homogenising
everything. However, in a book advocating policies which would undoubtedly have
an impact upon such non small matters as the planet’s capacity to produce food,
its not enough that Monbiot and I happen to share a taste for the disorderly.
Indeed, the justification upon which rewilding rests is intended to go far beyond
aesthetics. Indeed, at times Monbiot talks as if wildness is intrinsically good for us, is
something necessary to our shared universal nature, if you will. I’m not going to
dip into the pit of nature/nurture here (although as far as I recall Stephen
Pinker’s evolutionary aesthetics claim that we ‘naturally’ prefer safe-looking
landscapes like green pastures over forests), but its the consistency of the
vision advocated by rewilders which ultimately meant me and this book were
never going in for the long haul.
What is wildness – what is it that rewilders want nature to
do? Monbiot rightly and eloquently slams the romantic notion of keeping nature
in stasis, like a museum exhibit. The natural state of the living world is
change – evolutionary change, climactic change, a permanent show of adaptation,
niche creation and migration, with all the death, extinction and redundancy
that go with those. Where is rewilding, between these two extremes?
It cannot be just about letting nature do its thing. He
admits that a certain amount of stewardship is desirable to prevent, for
example, alien species of plants from ravaging native landscapes. And anyway, I
think the notion rests on the false premise that humans have successfully halted
natural biotic processes. Look to the foxes, the rats, the seagulls. To the
mosquitos, the cockroaches, the bacteria – all successfully doing what nature
does best – adjusting, evolving, adapting to life alongside and inside human
beings and their cities. These modern wildnesses never get a mention in Feral, and this is my biggest problem.
Its implicit that these ecological success stories are not what Monbiot has in
mind – they aren’t pretty enough. So his argument is aesthetic after all.
I wonder if the appeal of a film like I am Legend isn’t conditional on the creatures Will Smith meets
being very familiar, the sorts of animals from children’s books. If instead
Smith’s character emerges from millennia in stasis to find the flora and fauna
very much evolved, alien and unfamiliar, then wouldn’t some of our deep rooted hunger
for it disappear?
The ideas Monbiot presents here have been receiving some media
recently, in the wake of all our flooding. A few commentators have taken
up his idea that reforesting Britain's uplands might help reduce the threat of
annual deluge in the lowlands. I'm certainly in favour of scrapping subsidies
to farmers who keep sheep in places like the moors. Who ever decided that sheep
and 'chocolate box' went together has obviously never looked at a sheep up
close. Filthy, stupid, slitty eyed creatures they are, and I say this as a girl
who grew up in North Yorkshire, surrounded by the things. Its true that there
is a certain desolate beauty when the heather is in bloom across the moors. Yet
imagination probably does little justice to the beauty that might exist there
if the native deciduous forests which one carpeted our island were permitted to
return there.
In the end, I want to support Monbiot’s call for us to
reforest our country, to overhaul our ridiculous system of farm subsidy. But I
don’t think Monbiot has succeeded in framing a suitable justification. I happen
to largely share Monbiot’s aesthetic preferences, but I hope that more
pragmatic arguments, about flood risk reduction, or genetic storehouses, will
win the day.
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